Reading Sessions of New Compositions

Next offered: 23/24 Season

Application deadline: six weeks before session date

Location: Pacific Spirit United Church, 2205 West 45th Avenue, Vancouver TBC

Reading Sessions of New Compositions Application and Program Guidelines

Click Here To Submit Your Online Application

An important part of Elektra’s mandate is to encourage the creation of new works for classically-based women’s choirs. Our Reading Sessions of New Compositions provide a constructive and informal setting for this interactive program.  Elektra’s Artistic Director, Morna Edmundson, composer/pianist Dr. Stephen Smith, a Guest Composer and the Elektra singers are part of the process of discovery and discussion, singing new music and new sounds. Observers are welcome to attend.

Benefits of this program include:

  • pianist Dr. Stephen Smith, and a Guest Composer (different every year)
  • hearing your composition/arrangement sung by a skilled women’s choir alongside two other new works by your peers
  • discovering the range of sonic possibilities of women’s choir and considering it as a legitimate “instrument”
  • discussing with all parties involved, including the singers, compositional issues of your piece as they arise, such as vocal range, word stress, divisi, and notation
  • us both becoming more familiar with each other’s work
  • the possibility of programming your piece on a future Elektra concert, however, this is not guaranteed nor the principal purpose of the Reading Session.
  • receiving an audio file of the reading of your composition

Contact Elektra Women’s Choir for more information or complete this form to be added to our Reading Session application deadline mailing list.

2016 participant David Archer commented, “The Elektra Reading Session is a golden opportunity for composers to test new ideas with a skilled ensemble in a supportive environment. This kind of experience is vital for improving our craft. Morna rehearsed each of our pieces with attention to detail and a passion for translating each composer’s intentions into the choir’s best expression. I would highly recommend this workshop to choral composers who want to improve their choral writing.”